十二宫杀手计划

Againstthebackdropofsunbakedparkinglots,desertedcourthouses,andemptysuburbanhomes—thefamiliarspacesoftruecrime,strippedofallactionandspectacle—afilmmakerdescribeshisabandonedZodiacKillerdocumentaryandprobestheinnerworkingsofagenreatsaturationpoint.Thetruecrimegenre’subiquityisdrivenbypeople’sendlessfascination,disgust,and—bizarrely—searchforcomfortingenreconventionsthatstillhavetheabilitytogeneratecomplexemotionsdespitetheirpredictabilityandfamiliarity.FilmmakerandmultimediaartistCharlieShackleton’sprojectshaveusedhisuniquelyfunny,intellectuallyengagingstyletoexaminehowpopularculture,massmedia,andstorytellingcreatemeaning.Inthiswhollyoriginal,self-awarecinematicwork,Shackletondissectsthetruecrimegenrebyrecreatingit.UsingBayArealandscapes,archivalmaterial,reenactments,filmandTVclips,andvoice-overtowalktheviewerthroughwhathisfilmwouldhavebeenlikeandwhy,ZodiacKillerProjectisacaptivatingandentertainingexperiencethatwillforeverchangehowyouwatchyournextmurderprogram.